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Repoussed Silver Dish
early 20th century
diameter: 25.5cm, height: 4.2cm, weight: 472g
This pleasing dish, from the estate of an early British administrator in Burma, sits on three splayed feet and is of solid, high-grade engraved and repoussed
The centre roundel is engraved with a Burmese tiger (a symbol for the East and also the sign for Monday). The wide rim is repoused in high relief with twelve
oval cartouches each filled with a pair of figures in Burmese dress and which undoubtedly tell a story from Burmese Buddhist lore. The cartouches are
beautifully defined by interlocking foliage and flower motifs.
The dish is in excellent condition - there are no losses or repairs and the definition of the relief work remains sharp and not worn down by excessive polishing.
Fraser-Lu, S., Silverware of South-East Asia, Oxford University Press, 1989.
Fraser-Lu, S., Burmese Crafts: Past and Present, Oxford University Press, 1994.
Tilly, H.L., The Silverwork of Burma (with Photographs by P. Klier), The Superintendent, Government Printing, 1902.
Tilly, H.L., Modern Burmese Silverwork (with Photographs by P. Klier), The Superintendent, Government Printing, 1904.
Provenance: from the estate of Arthur Morris, and thence by descent. Morris (1880-1944) trained as an engineer and spent nineteen years working in Burma
for the colonial administration in the Public Works Department. During this time, he developed a strong interest in Burmese arts and crafts, particularly in
Burmese lacquer. He was appointed Provincial Art Officer in 1914 for which he organised an annual arts and crafts exhibition of 'native' craftsmen in
Rangoon. He was also a member of the Board of Studies in Fine Arts at Rangoon University, and was chairman of the sub-committee which was formed in
Rangoon to collect material for the Arts and Crafts Section of the Burma Pavilion at the British Empire Exhibition that was held in Wembley, London, in 1924.
Inventory no.: 4776
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