Rock sculptures such as this example were collected and presented for inclusion on the desk of a Confucian scholar. For centuries, such naturally strange-shaped stones were objects of aesthetic appreciation and contemplation which were valued for their own sake. Collectively, such stones were known as guaishi (‘strange stones’)
This example is composed of a malachite specimen of even, rich-green colour and natural form that has been worked to emphasise its natural contours, thus emulating valleys and peaks. It has been mounted on a custom-made wooden stand – zitan – which rests on five feet, with the stand having been carved to firmly accommodate the malachite specimen.
Most such extant sculptures date to the Ming and Qing Dynasties although Chinese literarture refers to a collection of some 65 such scholar’s stones in the collection of the Song Emperor Huizong. This exceptional example most probably dates to the 18th century. Whilst its form evokes the landscape, it also emulates that of a brush rest.
Malachite is particularly suited for use as fantastical stone sculptures because of its extraordinarily rich colour, its oily sheen and its craggy form when in its natural state, which emulates the cliffs and peaks of nature.
Dating scholar’s rocks can be difficult but the presence of a stand is helpful and usually it is the stand that suggests the dating as is the case here.
Overall, this is a particularly beautiful example. The stone is with expected natural fine cracks and inclusions, but is stable and solid.
References
Grindley, N., Ian and Susan Wilson Collection of Scholar’s Rocks, 2009.
Ribeiro, S. (ed.), Arts from the Scholar’s Studio, Oriental Ceramic Society of Hong Kong, 1986.





