Enquiry about object: 2869

    Your First Name (required)

    Your Last Name (required)

    Your Email (required)

    Your Country (required)

    Your Message

    Colonial Sri Lankan Carved Ebony Box

    Galle, Sri Lanka
    circa 1830

    length: 28cm, depth: 20.5cm, height: 13.5cm



    UK art market; most probably has been in the UK since colonial times.

    – scroll down to see further images –

    This fine box of solid ebony (Diospyros Celebica) is carved extravagantly on all sides and on the hinged lid with bold flower and leaf designs. It is a superb example of colonial carved ebony woodwork of a type associated with the southern Sri Lankan port town of Galle. It has an excellent patina and a distinctive metallic lustre associated with the best quality ebony. The base is of ebonised wood.

    Boxes such as this example were used in Sri Lanka by ladies to store jewellery and hair ornaments. Later, they were commissioned for the colonial market as well.

    Carved ebony furniture has been recorded in English collections from as early as the mid-eighteenth century. As Jaffer (2001) points out, this type of furniture was thought to be Elizabethan but is now recognised as being either of Indo-Portuguese, Batavian, Sri Lankan or Coromandel Coast origin.

    Distinguishing between items of carved ebony furniture made in Sri Lanka, Batavia or the Coromandel Coast is difficult because Dutch administrators and merchants are likely to have taken as personal effects furniture produced in the Coromandel Coast region to other Dutch settlements in Sri Lanka and Batavia where it was extensively copied. Similar quality craftsmanship, partly available from indentured Tamil craftsmen taken by the VOC to all three destinations, was available in all three places as was ebony wood (Jaffer, 2001). However, this box does have flower motifs that are definitely of Sri Lankan origin. A box of similar proportions and with deep carving is on display in the National Museum of Sri Lanka in Colombo.

    The condition of this box is very good. The hinged lid fits evenly and there are no signs of warping. There is a small crack to the ebony on the right of the top of the lid, and two small ebony plugs designed to conceal screws beneath are no longer present. But these are minor matters when it comes to items of wood. There are no losses to the carving. Unusually, the box retains its lock and key, and the lock remains fully functional.


    Coomaraswamy, A.K., Mediaeval Sinhalese Art, Pantheon Books, 1956.

    Jaffer, A., Furniture from British India and Ceylon: A Catalogue of the Collections in the Victoria and Albert Museum and the Peabody Essex Museum, Timeless Books, 2001.

    Tchakaloff, T.N. et al, La Route des Indes – Les Indes et L’Europe: Echanges Artistiques et Heritage Commun 1650-1850, Somagy Editions d’Art, 1998.

    Veenendaal, J., Furniture from Indonesia, Sri Lanka and India During the Dutch Period, Foundation Volkenkundig Museum Nusantara, 1985.

    Dozens of items are added to our website each month. Be among the first to know about them.
    Sign up to our monthly catalogue