6077

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Malay Quail Trap (Jebak Puyuh)

Malay People, Malaysia or Southern Thailand
mid-20th century

width: 25.2cm, height: 25cm, depth: 20.5cm

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Provenance

UK art market

This interesting device is typically Malay – it is both utilitarian and decorative. It is a trap that was used to catch quails in the jungle and is known as a jebak puyuh.

Quail catching was a favourite pastime among Malays including Malay princes and aristocrats, hence the development of traps.

It is a fine example of the relatively sophisticated wood carving abilities of the Malays as well as their basketry.

The body is made from folded and shaped wire work, with a wooden floor and carved wooden frontpiece for the trap door. It is carved with leafy flourishes orchid motifs and the overall form is based on a ceremonial gate or gunungan to an aristocratic Malay compound.

The interior has two old plastic tubes that probably contained water for the birds.

It works by lifting the front grate of the trap which comprises rattan and woven string. The drop-down bamboo grate behind this is also raised. Inside, a tame female quail would be tethered by its leg. Passing male quails would be attracted inside and as they enter, they trip a stick that holds open the first grate. This comes crashing down trapping the male inside. The owner of the trap can then come and push down the bamboo grate further trapping the quail inside. The metal rings on each side can then be looped over the ends of both grates to hold everything secure and then the trap, with the enclosed birds, can then be carried away. A handle to the top of the body of the trap facilitates carrying. There is even a small bamboo canister inside which held water for the comfort of the quails.

Noor, F. & E. Khoo (2003, pps. 2, 23. 101, 103) illustrate several related quail traps.

Additionally, Muzium Negara, Malaysia’s national Museum, has several such traps on display.

The final image below shows an example from the Malay people of southern Thailand, displayed in the Southern Thai Culture Museum, Pattani, Thailand.

The example here is in fine condition, with ample signs of use and age.

References

Noor, F. & E. Khoo, Spirit of Wood: The Art of Malay Woodcarving, Periplus, 2003.

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