This fine, slender pen case box or kalamdan is from India. The exterior comprises a series of oval cartouches in alternating silver and gold or gilt filigree. The underside is of silver sheet engraved finely at each end with a leaf-like flourish.
The pull-out tray is of pure silver, the exterior sides of which have been engraved with Mughal-like vegetal scrollwork. The end of the tray is covered in silver filigree to match the rest of the box’s exterior.
The internal tray has a gold and gilt filigree inkwell at one end with a round hinged cover topped with a turquoise cabochon. The gold filigree is over red foil to provide a pleasing contrast.
The rest of the tray was to house the reed pens or quills. Included is a silver spoon with a boteh-shaped bowl which presumably was to sprinkle sand over the ink to assist with drying. Bala Krishnan & Kumar (1999, p. 132) illustrate a Mughal white jade pen box which includes a similarly-shaped sanding spoon.
The base of the internal tray is engraved with leafy flourishes at each end and a pair of birds, reminiscent of the birds that might be seen on painted papier mache pen boxes from Kashmir and Persia.
See a related silver and gilt filigree pen box in London’s Victoria and Albert Museum. Terlinden (1987, p. 157) gives an 18th century dating for the V&A box. The museum itself suggests 19th century. Either seems reasonable.
The box here is in fine condition and without loss.
References
Bala Krishnan, U.R., & M.S. Kumar, Dance of the Peacock: Jewellery Traditions of India, India Book House Ltd, 1999.
McWilliams M. & D. Roxburgh, Traces of the Calligrapher: Islamic Calligraphy in Practice c. 1600-1900, Museum of Fine Arts, Houston, 2007.
Terlinden, C., Mughal Silver Magnificence, Antalga, 1987.