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Batavian or Chinese Silver Lotus-Form Filigree Box & Cover

China or Batavia
17th-18th century

height: 4.5cm, diameter: 10.3m, weight: 168g



UK art market

This fabulous eight-petaled lotus form silver filigree box and cover is a superb example of eighteenth century Chinese filigree work. Possibly made for export and yet, in keeping with early Chinese export filigree work, it retains traditional Chinese characteristics – the lotus form, and the two four-clawed dragons chasing a central flaming pearl on the cover surrounded by an outer panel containing the eight precious emblems in relief. It sits on a low octagonal foot engraved with a repeated key-fret design. It was made either in China or in the Dutch East Indies, probably Batavia.

An almost identical box, almost certainly made by the same hand, is in the Museum of East Asian Art, Bath, UK. The Museum’s box is illustrated in Museum of East Asian Art (1993, p. 114).

Items from filigree silver were first made for export in the seventeenth century. These earliest pieces can be linked to objects made to order for Spain and Portugal – countries in which filigree was already part of the repertoire of silver and gold smiths. The forms of these early pieces follow traditional Chinese forms – chests for Chinese scrolls, boxes and the like – just as the form of this box matches that more commonly associated with Ming cinnabar lacquer boxes and Tang silver boxes. The filigree of these early types also follow the work on this box – a ribbon type with a background filled in with even finer silver wire in double curls intertwined. After the signing of the Treaty of Nerchinsk in 1689, which allowed for formal cross-border trade between China and Russia, Chinese silver was brought to Russia via embassies and trade caravans. The Russian royal family acquired many items fashioned from Chinese silver filigree. Some of these are in the State Hermitage Museum in St Petersburg today.

The Clive Collection at Powis Castle, Wales, has two lotus petal form filigree boxes and covers from China. Importantly for dating purposes, these are documented as coming into the collection of Robert Clive, Baron Clive of Plassey (‘Clive of India’) around 1770. These examples are as fine as this example and have a similar lotus petal form but are without any overt Chinese decoration, being made for the Indian market.

Overall, this box is a rare, extraordinary work of art in excellent condition.


The Museum of East Asian Art, Inaugural Exhibition: Chinese Metalwares and Decorative Arts, Volume 2, 1993.

Menshikova, M., Silver – Wonders from the East: Filigree of the Tsars, Hermitage Amsterdam, 2006.

Treasures from India: The Clive Collection at Powis Castle, The National Trust, 1987.

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