Michael Backman’s Video Reels

Here you will find dozens of short video reels – initially created for our Instagram page. Each is less than 90 seconds long and covers matters of culture, art & travel.ย We hope that you will enjoy them.

Kangaroos in Australia and their relationship to the indigenous Aboriginal people.

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #aboriginalculture #indigenousaustralia #tribalart  #antiqueboomerang #kangaroos #asianartlondon #londongallery #arthistorian #culturalcommentator
The Thai version of the Ramayana at the Grand Palace in Bangkok showing Thai gold betel equipment.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #thaiantiques #betelparaphernalia #asianartlondon #londongallery #asianantiques #spittoon #thaigoldantique #betel #betelnutset #ramayana
Some of the finest objects from our previous monthly catalogue.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #finestobjects #asianartlondon #londongallery #rareartefacts #masterpieces
Endlessly, every antique pipe from Asia tends to be referred to as an opium pipe, but in fact, almost none of them are. Here is the difference between the pipes. 
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #tobaccopipes #antiquepipes #artmasterclass #artinsights #asianartlondon #silverantiques #antiquecarvings #asianantiques #burmeseantiques #thaiantiques #chineseantiques #shan
Traditional pottery making in Rabat, Morocco, now under threat from developers.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #moroccanpottery #moroccanantiques #moroccansociety #socialplanning #socialchange #moroccanhistory #islamicantiques #asianartlondon #londongallery
Hajis and hats in Kota Bharu, East Coast, Malaysia 
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #kotabharu #kelantan #malaysilverandgold #malaytextiles #antiquetextiles #malayantiques #asianartlondon #londongallery #islamicart #islamicantique #tanahmelayu #malaytradition #malayculture #islamicculture
In the 13th century ruins of Si Satchanalai เธ•เธณเธšเธฅ เธจเธฃเธตเธชเธฑเธŠเธ™เธฒเธฅเธฑเธข in northern Thailand.

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #asianartlondon #thaiantiques #thaichinese #chineseporcelain #ๆ˜Žๆœ #ๆ˜Ž็“ท #Londogallery #satchanalai #thaihistory
At Ait Ben Haddou, Morocco.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #sarahcorbett #aluminiumjewellery #ethnicjewelry #ethnicadornment #africanjewelry #moroccanantiques #moroccanjewelry #islamicjewelry #recyclingaluminium #wearablejewellery #islamicantiques
There was a French East India Company. Mostly, its sailors came from Brittany and so generally the language on board its ships was not French but Breton.

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #frencheastindies #crosscultural #asianantiques #seaside #indianantiques
Burghley House, in the East Midlands of England, currently has a small but excellent exhibition of exotic luxury goods from the Houseโ€™s collection.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #srilankanantiques #indonesianantiques #burghleyhouse #treasuresfromtheeast #nationaltrust #goldtreasures #goldfiligree #orientalcollection #englishcountryside
A rare 13th century Italian chair or stool made from Indian rosewood in Perugia, Italy.
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #asianartlondon #culturalexchange #londongallery #crosscultural #indianexport #christianart #antiquewoodcarving #antiquefurniture #antiquechair #travelperugia
A moment of madness in Morocco. With my publisher @narisachaki and her travel companion Marmot at the ancient city of Ait Ben Haddou.

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #berbertrading #traderoutes #moroccanmirage #moroccanantique #marmot #narisachakrabongse #riverbooks #islamictown #islamicantiques #travelmate
Stunning architecture in Lampang, northern Thailand. Fabulous house that once belonged to local Chinese teak merchants. 

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #thaichinese #thaiantiques #asianartlondon #londongallery #thaiarchitecture #architecturalgem #historicarchitecture #chineseheritage #peranakan #straitschinese #lampang #lampangthailand
Book launch of โ€˜Malay Silver and Goldโ€™ by Michael Backman at the Monde des Arts de la Parure (MAP) Museum, Marrakech, on 8 June 2024.

@narisachaki @riverbooksbk @sophiemartin257 

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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #booklaunch #marrakechevents #moroccoevents #islamicmorocco #goodbook #goodread #malaysilverandgold #timeoutmarrakech #marrakesh #malayculture #malayhistory
At the Rinno-ji shrine, Nikko, Japan.

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ (link in Bio) ๐˜๐—ผ ๐˜€๐—ถ๐—ด๐—ป ๐˜‚๐—ฝ ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ฅ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ถ๐—ป๐—ด ๐—ผ๐˜‚๐—ฟ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€ ๐—ฒ๐—ฎ๐—ฐ๐—ต ๐—บ๐—ผ๐—ป๐˜๐—ต ๐—ถ๐˜€ ๐˜๐—ต๐—ฒ ๐—ฏ๐—ฒ๐˜€๐˜ ๐˜„๐—ฎ๐˜† ๐˜๐—ผ ๐˜€๐—ฒ๐—ฒ ๐—ฎ๐—น๐—น ๐—ผ๐˜‚๐—ฟ ๐—ป๐—ฒ๐˜„ ๐˜€๐˜๐—ผ๐—ฐ๐—ธ ๐—ฏ๐—ฒ๐—ณ๐—ผ๐—ฟ๐—ฒ ๐—ถ๐˜ ๐—ถ๐˜€ ๐˜๐—ผ๐—ผ ๐—น๐—ฎ๐˜๐—ฒ.

#michaelbackman #shintoism #japanesebuddhism #buddhism #asianartlondon #shinto #japaneseantiques #japaneseculture #londongalleries #japaneseritual
On the white slavery markets of Northern Africa. Rabat, Morocco.

#michaelbackman #foodforthought #asianart #asianartlondon #islamicantiques #northafrica #rabat #morocco #maghreb
Book launch of โ€˜Malay Silver and Goldโ€™ by Michael Backman at the Monde des Arts de la Parure (MAP) Museum, Marrakech, on 8 June 2024.

@lemapmarrakech @riverbooksbk @narisachaki @seif_el_rashidi @j.de_lara @alaa.eddine.sagid @hassan_ouznini 

#michaelbackman #booklaunch #marrakechevents #moroccoevents #islamicmorocco #goodbook #goodread #malaysilverandgold #timeoutmarrakech #marrakesh #malayculture #malayhistory
How many times a week must we answer emails from people asking if an antique silver item from Asia is โ€˜sterlingโ€™  or enquiries that use the words โ€˜sterlingโ€™ and โ€˜pureโ€™ interchangeably? 
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #sterlingsilver #britishstandard #indiansilver #kutchantiques #centrepieces #antiquesilver #artinsights #asianartlondon #londongallery #colonialart #puresilver #indiansilver
With a large Orientalist painting by Georges Clairin (1843-1919) in Rouen, France.

#michaelbackman #orientalism #orientalistpainting #religions #islamicinfluence #christianinfluence #crosscultural #asianornaments #mismatched #culturalreference #yatagan #nimcha #ottomanantiques
Collectors live longer! Their job is never done and their curiosity keeps them alive. 
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๐—–๐—ผ๐—ป๐˜๐—ฎ๐—ฐ๐˜ ๐˜‚๐˜€ ๐—ฑ๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—น๐˜†: ๐—ฎ๐—ฑ๐—บ๐—ถ๐—ป@๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ

๐—ฉ๐—ถ๐˜€๐—ถ๐˜ ๐—ผ๐˜‚๐—ฟ ๐˜„๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—ณ๐—ผ๐—ฟ ๐—ต๐˜‚๐—ป๐—ฑ๐—ฟ๐—ฒ๐—ฑ๐˜€ ๐—ผ๐—ณ ๐—ฎ๐˜ƒ๐—ฎ๐—ถ๐—น๐—ฎ๐—ฏ๐—น๐—ฒ ๐—ถ๐˜๐—ฒ๐—บ๐˜€ & ๐˜๐—ผ ๐—ฟ๐—ฒ๐—ฐ๐—ฒ๐—ถ๐˜ƒ๐—ฒ ๐—ผ๐˜‚๐—ฟ ๐—บ๐—ผ๐—ป๐˜๐—ต๐—น๐˜† ๐—ฒ-๐—บ๐—ฎ๐—ถ๐—น๐—ฒ๐—ฑ ๐—ฐ๐—ฎ๐˜๐—ฎ๐—น๐—ผ๐—ด๐˜‚๐—ฒ๐˜€. ๐—ช๐—ฒ๐—ฏ๐˜€๐—ถ๐˜๐—ฒ ๐—น๐—ถ๐—ป๐—ธ ๐—ถ๐—ป ๐—ฏ๐—ถ๐—ผ.

๐˜„๐˜„๐˜„.๐—บ๐—ถ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น๐—ฏ๐—ฎ๐—ฐ๐—ธ๐—บ๐—ฎ๐—ป๐—น๐˜๐—ฑ.๐—ฐ๐—ผ๐—บ
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#michaelbackman #collecting #privatecollection #collectors #asianartlondon #asianantiques #islamicantiques #islamicart #livelonger #staycurious #็”Ÿใ็”ฒๆ– #ikigai #purposetolive