Enquiry about object: 8902

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    Burmese Mandalay Bronze Buddha

    Mandalay, Burma
    circa 1840

    height: approximately 68cm, width: 54.4cm, depth: 33cm

    Available Enquire


    UK art market

    This large and particularly fine and naturalistic image of the Buddha has been cast in bronze in the Mandalay style. The quality of the casting is superior to most examples of this type.

    It retains traces of gilding as well as lacquer and impressed foil-backed mosaic mirror tiles to the band that denotes the hairline across the forehead.

    The image shows the Buddha seated in vajrasana, with his right hand gesturing to the earth in the bhumisparsa mudra position. Such a depiction is particularly characteristic of religious sculpture in Burma (Lowry, 1974). The posture, known as ‘calling the earth to witness’, represents the moment when the Buddha was seated in meditation under the Bodhi tree during the evening before his enlightenment. Mara asked him to name anyone who would give evidence that he had given alms, and the Buddha motioned to the earth with his right hand and said that the earth would bear witness to that – in a previous incarnation when he was known as Vessantara, he had given alms to such an extent that the earth had begun to quake.

    The image shows the Buddha with a domed usnisha, and a head of tiny curls. He is seated on an elevated platform or socle, and dressed in ample robes with naturalistic folds and pleating. Earlier images of the Buddha across Southeast Asia tended to show the monastic robes in a much more schematic way.

    The eyes have been inlaid with white wax over which pupils of black lacquer have been laid.

    The image is hollow cast using the lost wax technique. The hand that rests on the lap has been cast separately as is typical.

    The image has a dark chocolate patina. Overall, the image is tremendously sculptural and decorative: the flow of the robes and the face are particularly pleasing. There is a small casting hole to the base on the reverse of the image, but essentially, this is immaterial.


    Fraser-Lu, S., Burmese Lacquerware, White Orchid Books, 2000.

    Karow, O., Burmese Buddhist Sculpture: The Johan Moger Collection, White Lotus, 1991.

    Lowry, J., Burmese Art, Victoria and Albert Museum, 1974.

    McGill, F. (ed.), Emerald Cities: Arts of Siam and Burma, 1775-1950, Asian Art Museum, 2009.

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