Burmese Shan Bronze Buddha

This Buddha sits in the ‘earth touching’ or bhumispara position, also known as the ‘calling the earth to witness’ pose, whereby the Buddha, seated in meditation under the Bodhi tree on the evening before his enlightenment, is challenged by the demon Mara to prove that he had given alms. The Buddha touched the ground with his right hand and asked the earth to bear witness to his past good deeds (Fraser-Lu & Stadtner, 2015, p. 152).

The image has been cast as a single piece with the elongated features often seen among Buddha images produced in the Shan States of Eastern Burma. The head faces slightly forward, the eyes are half-closed and the eyebrows and lines for the nose are all joined as one. The nose is prominent and flared. The lips turn up slightly at the corners. The ears are elongated – they are those of a prince. The hairstyle is akin to neat rows of peppercorns. A broad band delineates the fringe. The neck has several skin folds.

The image wears the simple robes of a monk. His right shoulder has been left bare. The robe folds fall down the chest in a pleasing and ample way. He sits on a high, tiered throne that is waisted in the middle. Such thrones are characteristic to Burmese and Shan Buddha thrones. The elongated bud-like jewel to the top of the Buddha’s head is also peculiar to Burmese and Shan images and seems to have its origins in seventeenth century representations of the Buddha (Lowry, 1974).

There is a flattened section at the back of the throne.

The image is in fine condition and has a dark patina. It sits evenly, without rocking. It was acquired in the UK and no doubt arrived in the UK during the colonial era.