Enquiry about object: 10470
Straits Chinese Porcelain Joss Stick Holder
Straits Chinese Communities, Malaysia & Singapore late 19th-early 20th century
height: 21.8cm, diameter: 7.6cm, weight: 454g
Provenance
UK art market
This tall, cylindrical, slender porcelain vase is a joss stick holder for use on a Straits Chinese family altar. (The Straits Chinese were also known as the peranakan or the babas and nonyas.) It has a green background and cartouches on each side decorated in rose pink. Each of the two main cartouches are decorated with a phoenix in flight and peonies – the phoenix and peony motifs are recurring themes in almost all porcelain commissioned from China for the Straits Chinese markets. The areas between the cartouches are amply decorated with sprays of pink peonies.
Phoenixes and peonies traditionally were associated with nonya brides. They were auspicious symbols for weddings and conjugal happiness thereafter, so most such items of nonyaware usually were commissioned for the large and lengthy weddings staged by wealthy Straits Chinese families.
The lower part of the vessel has a border of stylised lotus petals in the form of green and rose-pink lappets, and the upper part has a border of decorated with various auspicious symbols of Buddhism.
The base is marked in iron red enamel with a factory mark ‘Chenyitai zao’.
The Straits Chinese are the ethnic Chinese of the Straits Settlements and nearby areas who had been in Southeast Asia for enough generations that Southeast Asia was now their permanent home. They had also acculturated with local Malay communities to the extent that their Chinese traditions absorbed some Malay and related traditions, as well as some aspects of European culture. They were Daoist and Buddhist. Many spoke a local patois of the Chinese Hokkien dialect mixed with Malay. They regarded themselves as a distinct community quite apart from the Chinese who had emigrated from China more recently who retained their Chinese culture with little acculturation and who maintained their ties with China.
The upper rim retains traces of gilding. There is a small chip to the edge of the base, but otherwise is in fine condition.
References
Ee, R., et al, Peranakan Museum A-Z Guide, Asian Civilisations Museum, 2008.
Ho, W.M., Straits Chinese Porcelain: A Collector’s Guide, Times Books International, 1983.
Kee, M.Y., Straits Chinese Porcelain, Kee Ming Yuet Sdn Bhd, 2004.
Kee, M.Y., Peranakan Chinese Porcelain: Vibrant Festive Ware of the Straits Chinese, Tuttle Publishing, 2009.
Khoo, J.E., The Straits Chinese: A Cultural History, The Pepin Press, 1996.






