10419

Enquiry about object: 10419

    South Indian Cast Bronze Nandi

    South Asia
    17th century

    height: 9.1cm, length: approximately 7.8cm, width: 4.1cm, weight: 333g

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    Provenance

    UK art market

    This beautifully worn image of Nandi, the vahana of Shiva, has been cast standing on a rectangular platform with a small Shivalingam before him. He wears a thick processional necklace of large bells.

    Most probably the image is modelled after a Brahman or Zebu cow, the South Indian cow with a prominent hump on its back near the neck.

    Shivalingams are used in worship in temples and smaller shrines, including household shrines. The lingam is seen as a symbol of the energy and potential of Shiva himself.

    The lingam is often represented rising from the yoni as is the case here, the female symbol, the form of which is based on the female genitalia.

    The physical union of a lingam with a yoni represents the indivisible two-in-oneness of male and female. Neither representations have any overt sexual meaning however. Indeed, the two are more symbols of power, fertility and prosperity than anything that is sexually charged. Puja worship of a shivalingam typically involves pouring water, milk and ghee offerings over the lingam and the yoni acts as the catchment receptacle and the conduit from which these sacred offerings can be collected and distributed to those in attendance.

    Nandi images often are placed at the entrance of Shiva temples. They have long been associated with fertility, illustrated by the custom of worshippers touching the testicles of such images as they enter the temple, particularly if they wish to expand their family.

    The image here however would have adorned a Shaivite family’s home altar.

    The image’s features and contours have been softened by handling and puja (prayer) wear. The image has what must be a casting cavity in each of its rear legs but these themselves have splendid puja wear and add to the sculptural interest of the piece.

    It has a wonderful chocolate-brown patina, and a very pleasing shape.

    References

    Mitchell, A.G., Hindu Gods and Goddesses, UBSPD, 1982.

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